New Liberal Arts

New Liberal Arts

New Liberal Arts, a Snarkmarket/Revelator Press collaboration, is the beginning of an attempt to describe topics, disciplines, and methods of inquiry essential to any 21st century education. Ranging from "attention economics" to "video literacy," New Liberal Arts is a glimpse into the course catalog of an idiosyncratic new school—a liberal arts college 2.0

New Liberal Arts went on sale on July 7 in a limited edition of 200 copies at Snarkmarket. The initial print run sold out in less than 8 hours.

Nonfiction, 80pp. Click here to download PDF.

It's almost here

A project that began earlier this year now bears fruit: slim, rectangular fruit.

New Liberal Arts, a Snarkmarket/Revelator Press collaboration, is 80 pages long, with 21 pitches for new liberal arts from some of the smartest minds we could find. The pitches range from attention economics to video literacy. You are gonna love what you find in this book.

New Liberal Arts goes on sale tomorrow at 9 a.m. PST at Snarkmarket.com, so be sure to check in early—there are only 200 copies. Each one is $8.99. After those 200 copies are sold, Revelator will post the PDF, so when you buy a book, you’re also buying a little slice of free for everybody.

But bear in mind: New Liberal Arts has a secret—one that can only be unlocked out there in the world of atoms and new-book-smell, not here in the world of pixels and PDFs.

For now, click here for a preview: "Micropolitics" by Matt Thompson.

The New Liberal Arts: Call for Contributors

Snarkmarket.com and Revelator are proud to announce a new collaboration: The New Liberal Arts, to be published as both an electronic and printed (that's right, printed!) chapbook, and we're looking for contributors.



The time is ripe to expand and invigorate our notion of the liberal arts. Is design a liberal art now? How about photography? Food? Personal branding?

We don’t want to generate a canonical list, but rather a laundry list. We want pitches for new liberal arts that are smart, provocative, insightful, surprising, and/or funny.

Together, they’ll read a little like the course catalog for some amazing new school. (The College of Snarks and Letters? Our endowment is untouched by the financial crisis!)

So now we’d like to ask for your help.

Visit The New Liberal Arts at Snarkmarket.com to get involved, and don't delay. We're looking to have a rough list of contributors by Monday, February 9.

Shanghai: Halloween

There was no excuse for my laziness and utter apathy. It was 6:00 Halloween evening and I was collapsed on my couch, unwilling to move after an arduous week at work. Some friends stopped by, put a beer in my hand, and began discussing what my costume should be. All of the usual getups for the unprepared were mentioned: homeless person, punk-rocker, or California Raisin (i.e., tights and a garbage bag stuffed with newspapers). None of these were acceptable. There was a witch's hat available, so I consented to some heavy eyeliner, pulled on a black dress, and jumped into a cab.

The evening's destination was a club hosting a Clash cover band. There are many magazines and websites catering to the expats in Shanghai, and their reporters were out in full force. Before I could order a drink I was accosted by three magazine photographers, all in rapture over my costume. Not long after that came all of the glittery, cute Chinese girls wanting their picture taken with me.

My friends, all in far more imaginative costumes than myself, were bewildered by my popularity. I wondered myself why I was getting all of the attention. Is it that witches are iconic, a Halloween staple? Was I, at that moment, the embodiment of western Halloween tradition? Or was it the irresistible way I tilted my pointy hat and smiled wide for the camera? I hope that the next issue of City Weekend will have the answer.

Download Shanghai dispatch #2 as a PDF

Kyoto: Seven years later, half a world away, closer than ever

Sept. 13th

It is a weird time to be an American citizen abroad right now. The election is big news here. There is coverage of it on the news shows and in the newspapers. I have been reading the coverage of both conventions and the aftermath on the web.

(The Japanese version of the BBC is NHK. They are completely publicly funded. An NHK representative comes around once a year and if you have a TV in your home you pay a fee. No questions. There are no advertisers.)

The world is watching America. I caution anyone who thinks otherwise. The September 11th memorial was covered. There was even a documentary of the events from September 11th to the Iraq war. I was a bit surprised because it was on TV in Japanese with English subtitles. The sarin gas attacks on the Tokyo subway in 1995 came right to mind. The trains and subways are the life lines of every city here. Spurred on by the anniversary of September 11th, I found myself talking to the people around me, and their terror and fear sounded the same as mine had been. I remember every moment of that day, in clear detail. What does it mean that I am comforted by talking and sharing with a person here, just as much as those that lived through it with me?

Read the rest by downloading Kyoto dispatch #2 as a PDF

Lansing: Three poems by Tim Lane

Poem (There Are Times)

Poem Begun in April

Poem Not Entirely Lacking Grace

Download Lansing dispatch #1 as a PDF (PDFs of the individual poems can be downloaded by clicking on the titles listed above.)

Also available by Tim Lane: Pure Pop

Shanghai: The Mountain

"I will revenge on my father and make a waste to your honor—but give me first the antidote." Rogue warriors in period costumes battle it out as the old Jackie Chan movie flickers in and out on bus's dusty television. At least there are subtitles, I think as I pry my eyes away from the flashing blades to glance around me. The couple on the other side of the aisle has already succumbed to exhaustion, their heads slumped together, their limp bodies swaying with the rhythm of the highway. I turn to the window and watch the countryside passing; farmers in straw hats and ragged Mao-style work pants trudge from field to field or house to house. Corn is hanging to dry on fences. There is still some time before the factories and power plants bloom across the landscape—still some time before we reach Xi'an. I prop my legs up on the seat in front of me and close my eyes, thinking of the mountain.

There is a technique to enjoying Chinese mountain landscape painting. I was taught to begin at the bottom of the canvas, allowing my eyes to trail upward with the mountain's fluid lines until I reach the summit. This is the way to feel the mountain's spirit—to absorb its majesty and calm through the artist's brush. Now it is effortless for me to enjoy paintings like these; I just enter through the mountain's aperture, somewhere near the blank surface of the ground, then I step among the peaks and nooks of the mountainside. I ascend until the mist shrouding the peak converges with the sky and I have achieved something like sublimity. Mount Huashan, one of China’s five sacred mountains, is the subject of countless paintings like these.

A shabby town, grimy with dust, straddles the foot of Mount Huashan. Locals hawk sandwiches with pork and thousand-year-old egg, fragile whistles that make bird calls, cheap climbing gloves, incense, and ice cream. I buy a sandwich, some water, and with some trepidation, I begin the hike through town and up the mountain.

I fare well in my new sneakers, at least compared to the Chinese girls wearing calf-length leather boots with high heels. The stone path ascends gradually at first, then gives way to much steeper passages. This is an amateur climb, but as the amateur up against it I am pushing my limits of endurance. I am focused earnestly on the simple act of putting one foot in front of the other, so much so that I often neglect to look from the paving stones to my surroundings.

As I lift my head I am overwhelmed by a paradoxical sight. First I see the mountains, splendid and vast. The sides of the cliffs almost shimmer in the afternoon sunlight, and I feel for just a moment the profound weight of time. Then I look back to the path, to the Chinese tourists bickering, snacking on fruit and hot dogs, to the children playfully shoving one another, and the porters balancing their heavy loads of souvenirs and snacks for the makeshift shops that dot the way. I turn back to the mountain, but as I do I glance at my watch. Only five more hours until I have to catch the bus. I decide to hike up for a couple of more hours, then make my way back down.

I was overjoyed when I discovered that nearly all of the bookstores in Shanghai have a section dedicated to Chinese art books. I spend hours sprawled on the floors of these stores, unrolling scroll prints or flipping through oversized books of landscape paintings. I am enthralled by the spirit of these paintings and lose all sense of time. Occasionally I am jostled by another shopper and I remember all of the errands I need to complete—the dry cleaning that needs to be picked up, the letters that need to be sent—and will it be Chinese or Italian for dinner? I reshelf the books and make my way out of the store, and into the crowded subway station.

Download Shanghai dispatch #1 as a PDF

Kyoto: Getting caught up to now

I remember being nervous as hell in the airport terminal. The time had come to leave and all the hard stuff should have been behind me. The only thing that I had left to do was get on the plane. See, I hate flying and sixteen hours in a 747 maintained by the lowest bidder is not my idea of a good time. Thank the heavens for Zanax, which at least makes it so that every time the plane is bumped I don't freak out like William Shatner in The Twilight Zone. When the plane doors finally closed behind me, all I had left to do was wait. Well, wait and watch whatever god awful in-flight movie I was going to get.

On overseas flights, the airlines usually show three movies. One of them is good. One of them is a family movie. One of them is garbage. This can only be intentional. It's like the airlines asked themselves "how can we make a flight lasting more than half a day feel any longer?" The answer apparently involves making a captive audience watch anything staring Mathew Perry. I recommend coughing up the five bucks for the little bottle of vodka and an orange juice. This should let you sleep at least until something decent is on.

My flight left Detroit at 3:40 PM and landed in Osaka Kensai airport at 7:05 PM the next day. There is a weird feeling that comes with flying that long with the sun always in the window. It's hard to sleep in a plane anyway but add to a constant feeling that time has slowed down or stopped and you can just forget it. You do, however, have plenty of time to think. For fifteen hours I questioned what I was doing. I had only been to Japan once before, and only stayed for a month. Could I make the transition to living there full time?

I had been exposed to the same stereotypes of Japan as everyone else: big eyed cartoon characters, small but efficient cars, sushi, Zen, etc. . . . I know that these things are preconceived notions about a different culture, but they are reinforced so often in American programming that it's hard not to look for them at least a little. In all fairness, the last time I was in Japan I learned that the Japanese have a few stereotypes about Americans.

Japanese stereotypes about Americans

1. Americans carry guns. (And yes just about everyone in Japan knows Detroit. You get pretty much the same look in Japan as you get in the U.S. when you talk about living in Detroit. That "how often do you dodge gunfire" look.)


2. An American's entire diet is hamburger, fries, and a Coke.


3. Americans give two shits about the environment.

Of course, even in Japan, not all stereotypes of Americans are bad. I heard many times that Americans are very generous and bright. After fifteen hours of unrelenting sun, however, I could no longer tell myself that I was afraid of the culture that I was throwing myself into, but that after living, working, eating, and sleeping in that culture, day after day, I would never be able to look at my own in the same way ever again.

Download Kyoto dispatch #1 as a PDF

Dispatches

Revelator is very excited to announce our newest project, the Dispatches series! To supplement our beloved e-chapbooks, Revelator has engaged a number of international correspondents to provide brief snapshots of life in a variety of locales. Tomorrow we will begin with Michael David Press’s Dispatches from Kyoto, Japan, and in the future we hope to add correspondents from Shanghai, China; London, UK; and a rotating group of writers from Lansing, Michigan.

We'll receive new Dispatches from each correspondent every month, and the goal is to have a new post every week.

So meet us back here tomorrow for our first Dispatch from Kyoto!

A Dragon Swallowed the Bear

A Dragon Swallowed the Bear: Six Stories by Jeremy Campbell

There is violence here. There are monsters and fire, open veins and desperate loves, edges sharp and blunt, animals that appear and fade like melting snow. Jeremy Campbell's stories are neither fables nor fairy tales, and to describe them is to deal in paradox. They are focused, distinct, but they bleed, and when you finish reading you will find traces of their worlds all around you. Yes, there is violence here, both regrettable and regenerative. There is compassion. Creation. Death. And the sigh of resignation which is the breath of life itself.

Look down. Your belly has been unzipped.

Fiction, 23 pp. Click here to download PDF.

Jeremy Campbell was born in Michigan. He lived there and probably somewhere else, too. He studied English Literature at Michigan State University and a few years after that someone took this photo of him in a parking lot. The ground was wet. The suit Jeremy was wearing looked like it was his, but it wasn't. The suit was really good at pretending.

Where can I get more?

Happy New Year!

We're busy working on our next few chapbooks, but while we're working, you can keep up with Revelator writers through their blogs.

• I read that somewhere—Michael Duncan, author of Line Jester and Other Stories: A 21st Century take on the common reader—quotes from literature and contemporary writers. (Meg Sparling and Gavin Craig also contribute)


• nights best unspoken—Andrew Hungerford, author of Between the Water and the Air: A livejournal on Hungerford's work in the theater.


• A nothing day full of/ wild beauty—Angela Vasquez-Giroux, author of Letters to My Sister: The musings of a poet, mother, and Detroit Tigers fan.


• Short Schrift—Timothy Carmody, author of The Bridge and the River: Notes on news, art, pop culture, politics, and ideas.


• the attic which is desire—Tim Lane, author of Pure Pop: Paintings.


• Wordwright—Gavin Craig, author of Nine Poems: Notes on the written word: books, newspapers, and lit mags, both analog and digital.


• Black Tee Shirt—Brandon Kelley, Revelator's resident designer: Notes on music culture, and New York life, and, of course, photos of black t-shirts.
  

2007 titles: the year of poetry

Letters to My Sister
by Angela Vasquez-Giroux

Composed as a series of letters to a family member serving in Iraq, Angela Vasquez-Giroux's first poetry chapbook is a vivid evocation of the fear, displacement, and uncertainty that war imposes on those who are left behind. Through images of fragmentation and fragility—misreadings of scripture, partial glimpses of a loved one in a news report—Letters to My Sister speaks of the challenges of survival, both for those in the field and at home. (more)

The Bridge and the River
by Timothy Carmody

From Detroit and Chicago to Harlem to Dublin, The Bridge and the River gives us a poetry as notable for its geographic exploration as its literary ambition. While Timothy Carmody's poems create new landscapes of the temporal, linguistic, and structural, it is, in the end, Carmody's empathy that makes his writing so powerful. (more)

Pure Pop
by Tim Lane

"Pure Pop is just that—a little bit of Coke, a little bit of homage to the Pops of the New York School, and a lot of heart. Tim Lane's gracefully fluent lyrics are celebratory, immediate, full of feeling, and full of life. Without falling into sloppy sentimentality or clunky derivation, Lane conjures his own world while stealing fire from the masters."
—Lisa Jarnot, author of Black Dog Songs and Ring of Fire (more)

Nine Poems
by Gavin Craig

"Nine Poems' minimalism isn't austere, but intimate and guarded, like fragments from a whispered, feverish conversation. Each poem withholds more than it gives. You read them as you would read a bruise hidden under a shirtsleeve, guessing that the discolored surface signals a story that's unlikely to be told. But there's also something bracing and reassuring about their silence, their insubstantiality; the signs of secrecy, a shared moment, a conspiracy."
—Timothy Carmody, author of The Bridge and the River (more)

Nine Poems

Nine Poems by Gavin Craig

"Nine Poems' minimalism isn't austere, but intimate and guarded, like fragments from a whispered, feverish conversation. Each poem withholds more than it gives. You read them as you would read a bruise hidden under a shirtsleeve, guessing that the discolored surface signals a story that's unlikely to be told. But there's also something bracing and reassuring about their silence, their insubstantiality; the signs of secrecy, a shared moment, a conspiracy."
—Timothy Carmody, author of The Bridge and the River

Poetry, 11 pp. Click here to download PDF.

Gavin Craig is a graduate student at Michigan State University, where he co-founded The Offbeat, and served as Editor from 1999–2001.

365 short days ago

It was one year ago today that we posted our first Revelator chapbook, Line Jester and Other Stories by Michael Duncan.

Help us celebrate our first birthday by downloading Line Jester, or one (or all) of our other great chapbooks:

Pure Pop, poems by Tim Lane
The Bridge and the River, poems by Timothy Carmody
Letters to My Sister, poems by Angela Vasquez-Giroux
The Nijinsky Poems, poems by Meg Sparling
Between the Water and the Air, drama by Andrew Hungerford

As always, all of our titles are available as free PDF downloads.

Thanks to all of the writers and readers that have made our first year such a success!

Pure Pop

Pure Pop by Tim Lane

"Pure Pop is just that—a little bit of Coke, a little bit of homage to the Pops of the New York School, and a lot of heart. Tim Lane's gracefully fluent lyrics are celebratory, immediate, full of feeling, and full of life. Without falling into sloppy sentimentality or clunky derivation, Lane conjures his own world while stealing fire from the masters."
—Lisa Jarnot, author of Black Dog Songs and Ring of Fire

Pure Pop delivers all of the delicious, unmitigated pleasure implied in its title. Tim Lane's poems, jubilant and experientially engaged, prove that joy too is serious stuff.

Poetry, 27 pp. Click here to download PDF in new window.

Tim Lane lives, writes and paints in Lansing, Michigan.

The Bridge and the River

The Bridge and the River by Timothy Carmody

"In the years I have worked with Timothy Carmody I have been frequently amazed and occasionally annoyed by his habitual production of really outstanding work. If The Bridge and the River sometimes betrays its influences—Charles Simic, James Baldwin, Frank O'Hara—it must be conceded that the poet's choices are admirable, and the raw materials are always his own. These are early poems, and in them Mr. Carmody experiments with imagery, narrative, and voice, but his experiments are never simply academic, and the results are both sophisticated and affecting. Place matters. Memory persists. The pleasures of the world, slow and hard-won, are worth savoring. The same can be said of this collection."
—Gavin Craig, editor of Offbeat/1

From Detroit and Chicago to Harlem to Dublin, The Bridge and the River gives us a poetry as notable for its geographic exploration as its literary ambition. While Timothy Carmody's poems create new landscapes of the temporal, linguistic, and structural, it is, in the end, Carmody's empathy that makes his writing so powerful.

Poetry, 25 pp. Click here to download PDF in new window.

Timothy Carmody was born in Detroit, Michigan. He currently lives with his family in Philadelphia, where he studies Comparative Literature and Literary Theory at the University of Pennsylvania.

Letters to My Sister

Letters to My Sister by Angela Vasquez-Giroux

Composed as a series of letters to a family member serving in Iraq, Angela Vasquez-Giroux's first poetry chapbook is a vivid evocation of the fear, displacement, and uncertainty that war imposes on those who are left behind. Through images of fragmentation and fragility—misreadings of scripture, partial glimpses of a loved one in a news report—Letters to My Sister speaks of the challenges of survival, both for those in the field and at home.

Poetry, 15 pp. Click here to download PDF in new window.

Angela Vasquez-Giroux is a textbook middle child. Her fascination with words began at age three, when her mother taught her to say extraordinary. She lives in Lansing with her partner and daughter.

Proliferation

"Line Jester" by Michael Duncan has been published by the online magazine Void.

Congratulations to Mr. Duncan, and for those who like "Line Jester," be sure to check out the additional stories available in Line Jester and Other Stories.

Up next

We've been quiet for a while, but we've been busy, and over the next several weeks, you'll finally get a chance to see what we've been working on.

As I write, we're putting the finishing touches on Letters to My Sister, a powerful set of poems from Angela Vasquez-Giroux. We're also knee-deep in The Bridge and the River, a collection of poems from Timothy Carmody. Finally, we have third project in the works, which is a bit of a stretch for us, but we're really excited about it. I don't want to say too much and ruin the surpise.

So that's what we're working on, but we'd also like to know what you'd like to read. What should we be looking for? More stories? More scripts? Poems, poems, and more poems? If you have ideas or requests, please let us know.

A nice tie-in

The New York Review of Books has posted, from its archive, a 1999 essay by Joan Acocella on Vaslav Nijinsky. (I'd like to think that the NYRB's timing is a response to Meg sparling's recent collection, The Nijinsky Poems, but it probably has more to do with Acocella's new collection of essays, Twenty-eight Artists and Two Saints, which is reviewed by Joyce Carol Oates in the NYRB's current issue.)